Despite the heavy shower, yesterday Thursday 16th November 2017, an enthusiastic crowd crammed the entrance of Pavilion
17 at the Cultural Construction Sites of the Zisa, in Palermo – Sicily- for the
grand opening of the International Center of Photography, conceived and realized
by world-renowned photographer Letizia Battaglia.
The International Center marks a
further step in the cultural and intellectual awakening of the city of Palermo,
awarded by the status of Italian Cultural Capital in 2018.
The momentum of Palermo goes
beyond the national boundaries, as the opening of the International Center attests.
“Today a dream comes true” proudly states Letizia Battaglia “And we can say
that nowadays one can be happy in Palermo. And I am happy here in Palermo”.
Letizia Battaglia has spent much
of her energy in the last 5 years, against all odds, to realize what it can be
considered as her most important heritage: a tribute of love for her city, the
stage, the living theatre of Letizia’s life-long work.
Starting as chronicle photographer
in the late 60s, Letizia Battaglia tracked the Sicilian Mafia crime-story for
two decades, shooting the bloodiest moments of the Mafia wars. Politically and
socially engaged, Letizia dedicates her energy for witnessing the conditions of
the Palermo’s most deprived inhabitants: in her pictures it can be seen the
contrast between the glimmering top society of the Sicilian Capital attending ceremonies
and theatres’ premieres and the
miserable conditions of poorest families in their shacks. In all of Letizia’s
shootings one can detect the love and compassion she feels for her subjects, a
feeling the she extends to embrace the entire city of Palermo.
The Center occupies a 600 m² warehouse
in the Cultural Construction Sites of the Zisa: a former industrial area, in
the Zisa neighborhood, whose demised premises is now owned by the municipality
of Palermo and is used for artistic projects. Three are the temporary exhibitions
opened yesterday: Photographers for
Palermo, a collection of 150 pictures of Sicilian and Italian authors
picturing Palermo and its inhabitants; I
am person: story of immigrations and emigrations told by Italian Photographers,
curated by Kitti Bolognesi, Giovanna Calvenzi e Marta Posani, whereby 35
Italian photographers trace the history of migration from the post-war to our
days; the Leopard, a retrospective by English artist and filmmaker Isaak
Julien, curated by Paolo Falcone.
The Center will not host Letizia
Battaglia’s work, though. “At the age of 82 I don’t want to see my own pictures
anymore for I am more interested in fostering and encouraging the work –not only
of photography- of other artists” says Letizia, in her role of Art Director. A role-she underlines- that she fills for free.
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